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Television Can Blow Me Page 5


  As ever, the problem with these programmes is that the frauds who followed Koresh were spoken to like they were normal human beings, victims of some horrible circumstance beyond their control. Surviving Branch Davidians effortlessly assume the moral high ground against the FBI which must come easily to people whose big moral statement in life is colluding with a paedophile. Yes, let’s dog the people who try to enforce democratically legislated law but let’s go easy on the people who pimped out their wives and children to the baby rapist.

  There’s a big debate about which side first opened fire. I don’t know whether the FBI fired the first shot. I don’t care. There was a Book Of Revelation quoting paedophile armed to the gills surrounded by unquestioning stormtroopers - people who had already whored out their families. The FBI were entirely entitled to shoot at any one who was armed. Apocalyptic death cults aren’t big on the sanctity of life.

  The verdict on Inside Waco: Widespread death with no lessons learned.

  Marks out of 10: 7

  Old Enough To Be His Mother

  Aerial Telly doesn’t make judgments. That’s not his stilo. We regularly run non-judgmental pieces on all kinds of perverts: porno perverts, sister fuckers, celeb shaggers - we’ve had them all in our lair. So it was only a matter of time before we got round to CRADLE SNATCHING SLUTS or as official channel of Aerial Telly Channel 5 preferred it Old Enough To Be His Mother, part of their Hidden Lives series.

  It looked at women married to men at least 20 years their junior and talked to the weirdos about the challenges they faced and the ups and downs of being a filthy deviant.

  The star couple were 70 year-old scrote Edna and her 31 year-old lantern-jawed turd of a husband Simon who seemed to be some kind of organ playing God-botherer though this was never made explicit.

  In one of the most gratuitously offensive scenes ever screened, Simon and Edna make out naked in the shower. It looked as if Simon was wrestling a giant animatronic melting Madame Tussauds waxwork. The spliced-up off cuts of the works of David Cronenberg contain nothing this horrifying.

  Edna is plainly delighted with herself - she’s never acted her age, she tells us, so why start now? And the grannyfucker is clearly getting some kind of perverse pleasure from it so who are we to judge?*

  Simon was a virgin before meeting Edna so he probably thinks this is normal. I suppose somebody could tell him that there are women around his own age whose tits are both in the same postal code but what would that achieve? Ignorance is bliss and this pair of bastards seem happy enough.

  The next freakshow was mother of ten Ruth, 49, and Simon, 21. Ruth is ten years older than Simon’s mother and six of her children are older than him. Which makes family gatherings interesting, I’m sure. It’s not all laffs though as Ruth suffers from “multiple orgasm syndrome”, which means she comes around 30 times a day. I’m not making this up.

  Doing a very good impersonation of the “ooh I’m sorry, I’ve just come” man from The Fast Show, Ruth collapses by some swings under the megaton force of one of her orgasms.

  Simon shows great fortitude in dealing with a mature woman with a power steering clit - apparently just walking into the room sends her into ecstasy. That’s many men’s fantasy though I’d settle for Montserrat Lombard, Billie Piper and a hot tub but I’m strange like that.

  No such worries for Norma, a few months short of collecting her buspass at 59, who is boffing Chris, 27. Another apparently happy couple, tensions only rise when Norma raises the delicate issue of what happens when she is so decrepit they can no longer have sex.

  He’d rather not think about it. I’d rather not think about it. I’d rather not think of them having sex at all, so I guess we’re all shit out of luck.

  I suppose we should thank Channel 5 for Hidden Lives - the televisual equivalent of a policeman’s torch, shining a light into society’s dark alleys and revealing the horrors within.

  But aren’t some things better left unseen? Because if Anthony Perkins skewering Janet Leigh in Psycho is the most horrifying shower scene you’ve encountered then get ready to think again.

  The verdict on Old Enough To Be His Mother: There’s no perv like an old perv.

  Marks out of 10: 7.5

  * Aerial Telly, motherfucker that’s who

  Seduction School: Size Doesn’t Matter

  There is no braver warrior on the planet than the unattractive nice guy approaching a pretty girl in the hope of “getting to know her better”. Men will walk to their certain deaths secure in the knowledge that it can never be worse than the symbolic annihilation thousands of men put themselves through every weekend in the sick ritual of chatting up the honies. To men like Aerial Telly it holds no fear of course because from the moment I walk in the club your girl be clocking me and I gots to tell her to back up off a brother. We all know that I’m going to be macking that dame before the night is out.

  Your reality is one shared by many men. Something addressed in Seduction School: Size Doesn’t Matter, the first instalment of Shape of the Nation series, a three-parter dealing with our obsession with appearance. The show featured seduction gurus Wayne Elise and Jonny Saviour (proponents of the Juggler Method) trying to drill some mack tactics into three hopelessly insecure men. Neil is a 22-stone virgin who has never even kissed a girl; Dave is a grotesque 6ft 6 GIANT who wimps out of approaching women and Adrian is 5 ft tall and therefore The Smallest Man That Ever Lived. He can’t get girls to see him as more than just a friend. In fact, they can’t see him at all without crouching.

  The gurus put the boys through a boot camp of approaching strange women in the street and starting conversations with them. Dave the Giant puts in an abysmal effort, taking 20 minutes to even sit down at a table adjacent to some females. Tiny Adrian walks up to a girl seated on some steps but his squeaky Jiminy Cricket vocal merely causes her to collapse in gales of laughter and swat him aside. Walking lard mountain Neil strikes up the first meaningful conversation by claiming to be a panda bear. The only thing giving him away is that a panda bear moves quicker.

  So the seduction gurus are faced with a reasonably tall man who believes he is Goliath, a man in a four-year-old child’s body and a smiling tub of guts who believes himself to be a panda bear. You can see that they have their work cut out.

  And they quickly get cracking teaching the losers the importance of kino (light touching), assertive body-language and statements of intent (letting the target know you think she’s sexy). And on they go with the usual self-improvement makeover horseshit that we can recite in our sleep by now. The Juggler Method is a bit shit to be honest. Heavily derivative of the Mystery Method, it’s a mixture of the bleeding obvious and highly tenuous. The most effective thing any man can do to improve his strike rate with the dames is simply to get out there, get chatting and try his luck. The seduction gurus force them into these situations relentlessly so it’s not surprising that some progress is made. Tiny Adrian is having difficulty telling a female friend that he wants her in the Bad Way. At some point, he plucks up the courage to tell her and she tells him to fuck himself which he seems to take as some kind of victory. If that’s a positive outcome, what’s your version of a failure?

  The seduction gurus seemed to claim success on the final night because Jabba and the dwarf got a phone number each and Dave the Giant had a snog with a flagcracker. And if you see the fucking prices they charge you realise that since Neil Strauss blew the lid on the underground seduction community in The Game, this is one helluva racket these guys have got going on.

  And it’s not slowing down any time soon. Every fucker’s an expert on women now and they’re all taking MasterCard. Men are always going to want to get laid and where alcohol and flattery haven’t worked, paying a stranger $1,600 to shout at you in public probably seems fair enough.

  The verdict on Seduction School: Size Doesn’t Matter: I think of you more as a friend.

  Marks out of 10: 6

  My Friend Michael Jackson

  Most o
f us wouldn't be in a rush to tell the world of our friendship with an anti-Semite paedophile but most of us aren't Uri Geller and most kiddy fiddling Jew bashers aren't Michael Jackson. It clearly didn't take much persuasion for Geller to share his deeply personal and deeply private intimate footage of his friendship with the King of Pop for the documentary My Friend Michael Jackson. Geller is a huckster to his core and this taints everything that comes out of his mouth. At the end of the day he's just another cunt with a story to tell - he just has some pretty neat footage. Take the renewal of his wedding vows ceremony where Michael was his best man. Uri doesn't like talking about it but he'll do it for you. And Michael. His friend.

  The wedding ceremony footage is indeed bizarre (it's Michael Jackson - of course it's bizarre). Jackson looking exactly as strange as you expect a racially self-mutilated pederast to, he seems to have little idea what's going on or who anyone (including Geller) is. Industrial strength painkillers clearly have him in thrall and rather like when Mr Burns inhales Ether and hallucinates Homer Simpson is Poppin' Fresh, Jackson seems to think Uri Geller is Jesus Christ or some other failed Hebrew Messiah. The strangeness multiplies.

  But once the drugs have worn off, Geller needs to keep Michael's interest so he starts spinning him a yarn about GOING TO THE MOON. See, Uri knows this guy yeah? He works for Boeing, the plane people, but he has “ties to NASA” and he tells Uri that “no matter how science fiction it sounds” it is possible to send Michael Jacksons TO THE MOON.

  Pardon me but how exactly is going to the moon science fiction? Not exactly Brave New World is it? This is the equivalent of a talk with a bloke in a pub who knows someone who went out with Madonna. Michael Jackson is a mess of squeaking ecstasy on an answerphone message he leaves for Geller. Michael Jackson doing the moonwalk ON THE MOON.

  So yes, just like the rest of his career, Uri Geller was selling snake oil. And boy did Michael Jackson lap it up? It was in his nature to believe the manifestly untrue. Like Geller tells us “Michael Jackson believed in the impossible”. Inserting his forearm into a 9-year-olds cancer victim's anus for example.

  But he believed in the totally plausible too - like the ability of a hugely famous man to get a tour of the Houses of Parliament. Accompanied by that other shameless schmuck David Blaine and that blowhard gladhander Greville Janner, Geller and Jackson twat about for a while in Whitehall and Jackson gets it into his head that he deserves a knighthood from the Queen. If he only knew the power of a discreet donation to the Labour Party.

  The freakshow continues. There's footage of the pair at Paddington station on the way to a function at Exeter City Football Club where Geller is joint chairman. As a well-behaved but curious crowd gather round Geller squeals “You're crushing him! Honour Michael!” and here we have an excellent demonstration of what a bullshitter he is. He says he feared for Jackson's life and that the weight of bodies simply could not be contained yet you're there watching the footage and there are just a few dozen people milling around, significant fewer than any given morning rush-hour. Believe Geller, though, and it's just a heartbeat away from the Hillsborough disaster.

  But like all great friendships based on convenience, delusion and fame, it was to come to an end. The breaking point was Geller introducing Jackson to Martin Bashir with an eye to a career changing interview. It made perfect sense. After all, Bashir was the man who had rehabilitated Princess Diana.

  The problem was that Diana was a pretty posh girl and fundraiser, wronged in relationships and life, with a 10th Dan in media manipulation. Michael Jackson was an emaciated puncture wound riddled baby rapist, wrong in relationships and life, with a 10th Dan in looking like a cunt. It's a much tougher sell, see?

  When the documentary revealed a balcony baby dangling fucknut unfit to be anywhere near children Jackson blamed the first entourage groupie dipshit standing close enough. Sorry Uri! But you still have the tapes. That'll be worth something one day.

  As with most documentaries about Michael Jackson, this held your interest - documentaries about endlessly fascinating fuck ups will do that. But Geller is such an unbelievable turd that you found yourself gagging on his pious self-serving commentary.

  Realistically, we shouldn't be surprised. The Michael Jackson industry is peopled by liars lying - peddling a version of a story they know to be false. When you put it like that you realise that Geller is maybe the best person on the face of the earth to front such a circus.

  The verdict on My Friend Michael Jackson: Much what you expected.

  Marks out of 10: 7

  Take That... for the Record

  The 5th most popular member of Take That laughed like Brian Blessed as he tried to remember if he had sexual intercourse with Lulu. “If I did I don’t remember - I’m a gentleman!” - it’s more likely you were stupendously pissed, Jason. “If Lulu says I’ve give her one and she says I was great that’s fine by me”. Oh I bet it is you dirty fecker.

  Success is relative. Jason is the least popular member of the most successful British band since The Beatles. He’s endured sex with Lulu but he also gets more ass in a month than most guys get in their life.

  Such paradoxes littered Take That... for the Record - part reflection, part reunion for the five Northern lads who shook the world with their sussed pop and dead fit arses. Marking the tenth anniversary of their split, it seemed fitting.

  It took them from early years of boot camp choreography, whipping the tubby Gary Barlow (third most popular member of Take That) into shape, through playing the gay clubs and the first TV appearances all the way through to world domination and the inevitable bust-ups that followed.

  Robbie Williams, the second most popular member of Take That, had a tortured relationship with manager Nigel Martin Smith. “He’s definitely in the top three most disturbed individuals I’ve worked with.” And Rob’s worked with crazy bastards like Kylie Minogue so you know he was wild. Smith seemed bemused by Williams’ antipathy but Robbie insisted “I only ever wanted him to love me. That’s the really sad thing. And he never did.”

  Robbie also had a tortured relationship with Gary Barlow. It seemed there was only room for one songwriter in the band and that had to be the more experienced Barlow. Jealousies and post-split rivalries abounded. You want to dislike Barlow, hoping he’s careerist industry scum but he comes across as a nice enough lad like the rest of them. Robbie takes things awfully personally, you suspect.

  The shocking (i.e. not shocking at all) drug use was also covered. Robbie, shivering in bed because he’d been up all night with a certain international model drinking champagne and taking cocaine. In a totally unconnected story, it was revealed recently that Robbie was secretly dating Naomi Campbell for a year. Que vida.

  “There was a time when I became too powerful. ‘I can’t be sacked now - let’s do drugs’” he deadpans.

  Williams is the most interesting, most successful and least happy of the group. Even by celebrity standards, he seems desperately in need of approval. His engagingly open manner set the tone for the boy band confessional.

  And it was his departure which really spelled the end for the group - a crippling body blow after which they staggered on for a year but, as Mark willingly acknowledged, it never felt the same without Robbie.

  When the split came it came as a relief for the boys. All except for Howard Donald, fourth most popular member of Take That, who left his hotel room to jump into the Thames. “I wanted to kill myself but I’m just too much of a shitbag to do it”. If only Richey Edwards had such insight.

  It was fascinating to see how the boys had spent their time since the split. Howard hasn’t pursued the suicide route, preferring to record his own album “which is, in my eyes, a great album” - yep, and in Helen Keller’s eyes also. “We just didn’t end up releasing it” which, on the face of it, seems a curious oversight.

  He showed us clips of the unreleased single “Speak Without Words” (“it was an amazing single. It really was an amazing single”). Yeah alright Howar
d, we get the message - you’re great but nobody loves you.

  Gary the Gunt has been raising a family with his wife Dawn, a former Take That dancer. He seems happy in his gigantic mansion surrounded by gold discs, oil paintings and smiling kids.

  Dim-witted pretty boy Mark, most popular member of Take That, has moved to The Lakes to walk through streams and ponder how he spends all his cash. After a brief spell back in the spotlight winning Celebrity Big Brother, he’s currently writing music for a film.

  Jason Orange, has been back to college to “do some courses” which I think is a capital idea. He’s also done some backpacking and been pondering stuff. He didn’t mention his brief appearance as a DJ in Lynda La Plante’s criminally underrated Killer Net which is a shame as I really liked that (everyone else thinks it’s shite).

  The reunion itself felt slightly awkward with Robbie not turning up. He sent a video apologising to all the members individually - telling Howard, Mark and Jason what nice guys they are. And while he didn’t go so far as to call Barlow a nice guy he apologised for calling him a crap songwriter.

  Williams explained the insult by saying he had his head up his own arse at the time and wanted to be in Oasis which, as excuses go, beats the crap out of ‘‘the dog ate my homework”.

  Would Robbie swap all he had for The Life of Barlow? “14 Brits?” he howled “Fuck off!” before conceding “No, in all seriousness I would swap everything I have for that.”

  It goes to show that you can have the girls, the drugs and the acclaim but it’s simple old domesticity that the lonely pop-star wants. Expect a double disc concept album on that very theme sometime soon.

  The verdict on Take That... for the Record: “Lulu was the best piece of ass I’ve ever had and I’ve had ‘em all over the world. SHAZZAM!”

  Marks out of 10: 7.5